Ancient San Bushmen rock art painted in ochre on a Drakensberg rockface, showing eland and spiritual figures

Why the Ancient Rock Art Scattered Across the Drakensberg Still Baffles Researchers Today

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You are picking your way along a sandstone ledge in the foothills of KwaZulu-Natal when something stops you cold. Painted on the rockface in ochre and white are animals, dancers, and figures that seem to hover between two worlds. The San people painted these images 3,000 years ago — and researchers are still working out exactly what they mean.

Ancient San Bushmen rock art painted in ochre on a Drakensberg rockface, showing eland and spiritual figures
Photo: Shutterstock

The People Who Made the Drakensberg Their Home

The San — also called Bushmen — are the oldest known inhabitants of southern Africa. They lived in and around the Drakensberg for tens of thousands of years, hunting eland antelope and gathering plants across the mountain grasslands.

They were not a single tribe but a collection of small, mobile family bands. Each group held a deep spiritual connection to a particular stretch of land. The mountains were not simply where they lived. They were where the spirits lived too.

At their peak, historians estimate there were around 500,000 San people across the subcontinent. Today, fewer than 100,000 survive — mostly in the Kalahari, far from the mountains their ancestors painted and loved.

What the 40,000 Paintings Are Actually Showing

The Drakensberg holds more than 40,000 individual rock art images — the largest concentration of San paintings on earth. Some are faded to shadows. Others remain startlingly vivid, their ochre reds and white clay pigments still sharp against the stone.

Many images show the eland antelope, which the San regarded as the most spiritually powerful animal in existence. Its fat, blood, and breath were believed to carry a force called n/um — a potency that shamans could harness during healing ceremonies and rain-making rituals.

But it is the stranger figures that catch the eye: elongated humans with animal heads, beings surrounded by dots and radiating lines, creatures that seem to dissolve at the edges. These are not decorations. They are records of something far more profound.

A Window Into Another Consciousness

For decades, scholars assumed the paintings were hunting records — a visual diary of daily life in the mountains. In the 1970s, rock art researcher David Lewis-Williams changed everything.

Lewis-Williams proposed that San rock art was made by shamans in altered states of consciousness during trance rituals. The dots, zigzags, and therianthropic figures — beings that are part-human, part-animal — were not symbolic. They were direct visual records of what the shaman was experiencing.

San shamans entered trance through sustained group dancing, rhythmic clapping, hyperventilation, and sometimes psychoactive plants. In that state, they believed they crossed into the spirit world to heal the sick, bring rain, and maintain balance between realms. The paintings documented those crossings — made while the visions were still vivid.

The Drakensberg paintings are not art for art’s sake. They are a map of a world most of us cannot see. As you can read more about in our guide to why the Drakensberg is called the Dragon Mountains, this landscape held an almost mythological significance for the people who lived here.

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Where to See San Rock Art in the Drakensberg

The finest rock art sites sit within the uKhahlamba-Drakensberg Park, a UNESCO World Heritage Site honoured for both its extraordinary biodiversity and its ancient art. Access to most sites requires a guide — which is not a restriction but a gift, since a knowledgeable guide transforms a wall of ochre marks into a living spiritual landscape.

Giant’s Castle Game Reserve

Home to the Main Caves shelter, this is the most accessible San rock art site in the Drakensberg. A resident guide leads you through panels of eland paintings and shamanic figures, explaining the spiritual purpose behind each image. Giant’s Castle is also prime bearded vulture country — keep your eyes on the sky.

Kamberg Nature Reserve

Kamberg contains the Game Pass Shelter, widely considered by experts to be one of the finest single rock art sites in the world. The shamanic figures here are extraordinary — luminous, dynamic, and painted with a precision that still astonishes researchers. Access is by guided tour only, which runs twice daily.

Cathedral Peak

More remote than the others, Cathedral Peak rewards a longer hike with paintings that appear in dramatic isolation on exposed cliff faces. Views across the northern Drakensberg are breathtaking, and the sense of solitude here — just you, the mountains, and 3,000-year-old images — is something that is hard to put into words.

The Last of the Drakensberg San

The San people who painted these mountains did not survive contact with colonial expansion. From the 18th century onwards, they were hunted, enslaved, and systematically driven from their ancestral lands. The last Drakensberg San bands had disappeared by the late 19th century.

What remains are the paintings — and an extraordinary oral archive collected in Cape Town in the 1870s by researchers Wilhelm Bleek and Lucy Lloyd, who recorded the stories, beliefs, and spiritual knowledge of a small group of San people. Without that archive, much of what we understand about these images would be lost entirely.

If you are planning a broader journey through the country, a two-week South Africa itinerary will give you enough time to include both the Drakensberg and KwaZulu-Natal’s coastline in a single trip.

Frequently Asked Questions

What is the best time to visit the Drakensberg for rock art in South Africa?

April to September offers the clearest conditions and most comfortable hiking temperatures. Summer (November to February) brings heavy afternoon thunderstorms that can make rock art trails inaccessible, though the mountains are at their most dramatically green.

Where can I see San rock art in the Drakensberg?

The best accessible sites are Giant’s Castle Game Reserve (Main Caves), Kamberg Nature Reserve (Game Pass Shelter), and the Cathedral Peak area. All require a guided visit — book through KwaZulu-Natal Wildlife (Ezemvelo) in advance, especially for Kamberg.

How old is the San rock art in the Drakensberg?

The oldest confirmed paintings date back at least 3,000 years, though some scholars believe the tradition stretches back much further. The Drakensberg’s 40,000+ individual images represent the work of many generations of San shamans and communities across millennia.

Is photography allowed at Drakensberg rock art sites?

Photography is permitted at most sites for personal use. Flash photography is prohibited, as it degrades the ancient pigments over time. Touching the paintings is strictly forbidden — the oils from human skin cause irreversible damage to the stone.

There is something quietly overwhelming about standing at the Game Pass Shelter or the Main Caves and realising you are looking at the inner world of people who loved these mountains as profoundly as any culture has ever loved a place. They are gone. The mountains remain. And on the rockfaces, so does something of who they were.

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